Bounty set sail from England in November 1787, its captain and crew could never have anticipated that their peaceful voyage would end with court-martials, marooned mutineers, and generations of settlers on a far-flung island in the South Pacific. It wasn't his last great performance, but clearly marked a turning point for him.Idyllic islands. For film lovers, his approach to his career after "Mutiny on the Bounty" was a real shame, with the exception of a few high points, since he was such an outstanding actor. Surrounded by beauty, and in love with his co-star Tarita (who he would marry before the film was released), he felt the same thing that some of the sailors from the Bounty felt - and other such as Gauguin felt - that one could just retire from the world, and live happily in paradise. The film was also of interest to me because as the excellent documentary "Listen To Me Marlon" explains, it marked the point at which Brando started to prioritize enjoying life - realizing that acting, even great acting - was a means, not an end for him. It's a shame they took this liberty to set up further dramatic scenes, when the real story itself is so captivating. That will probably seem odd to the filmgoer, and should - the real Fletcher Christian wanted to do no such thing.
He's a tortured soul from then on, to the point of thinking about returning to England to state his case. That's a pretty damning omission.īrando gives us a Fletcher Christian who believes he was morally right to overthrow Bligh, but also knew he no longer had a country as a result. The reality was that Tahitians were forced as slaves to go along with Christian and his mutineers when they tried to find a new place to live, not willing adventurers. Most of all, though, it's unfortunate that the film is stilted towards a white male fantasy, showing delight and frolicking, without showing rape, sexually transmitted diseases, or the devastation to the native culture. The scenes of sailors pursuing women get a little silly, such as when Fletcher Christian is in the bushes with Maimiti when Bligh wanders by, and the rapidity with which Maimiti later picks up English is surprising. Aside from the beauty, the Tahitians were for the most part extremely friendly. The world these men landed in may seem idealized, but if you read other informed or first-hand accounts (such as Herman Melville's 'Omoo'), it's accurate. Her hip shaking is mesmerizing, and her smile enchanting. The scenes in Tahiti are gorgeous, and Tarita is stunning. The two of them express their opinions and disdain for one another in deliciously restrained British dialogue. Christian understands duty, and while he has his personal opinions, is a model of behavior until the actual mutiny. Bligh gets the chance to explain that he's driven by duty above all else, and that the crew need to fear the captain and his officers. The difference between the two men is clear from the beginning, and I appreciated the film's balanced presentation of them over the first hour or so. Trevor Howard turns in a fantastic performance as Bligh, and while Brando's foppish and almost effeminate Fletcher Christian had me scratching my head in the beginning, it really grew on me, and he's strong as well. It's also a little unbelievable in its depiction of the love Christian had for Princess Maimiti (played by Tarita Teriipaia), but the gist is accurate, and it's a fascinating story. The film is loose with the facts, most notably in the treatment of natives and the final outcome on Pitcairn Island, which may put off viewers. The cinematography is beautiful, showing a replica Bounty on the ocean, sailing into sunsets or brutally rough seas, as well as the natural beauty of the islands in the south Pacific. The film has an epic feel, but even at three hours long, didn't feel padded at all.
One of the issues is that it was being compared to the 1935 version with Charles Laughton and Clark Gable another was that stories of Brando's difficult behavior while filming were followed by filmgoers seeing his unconventional portrayal of Fletcher Christian. A strong film, and it's surprising that it was panned when it came out in 1962.
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